Author: Russell
What is your intention when you take a photo?
What idea are you trying to convey, and how do you translate your thoughts into an image?
How do you take what you see with your eyes and make your camera see the same thing?
Continuing on with the “line” theme (well, loosely anyway) I decided to change things up this week and shot mostly at a wide normal focal length; 8.8mm on the LX3.
I have really enjoyed shooting the last few weeks. Restricting myself to only shooting only what I can see as a “line” has actually freed me to be more creative than I could otherwise be.
Of course all that goes back to the idea that constraints enhance creativity. If you still haven’t read A Lesser Photographers Manifesto, you really should. (Just be aware that his site is sometimes hard to connect to.)
So for now I will continue to look for lines, at least until I can think of something else to shoot.
Inspiration is a Process
We all want to become better at this craft. So why is it that so many of us only take photos when we “feel inspired”? If you follow A Lesser Photographer then you may have already read this.
Inspiration doesn’t “strike.” Inspiration is scheduled.
I would add that inspiration is a process. Think about the times you are “struck” with inspiration. Is it really that something comes to you out of the blue? Maybe that happens sometimes, but more often than not isn’t it that you are already thinking in a creative mindset? You see/read/hear something that sticks in your mind and the creative juice is already flowing by the time that inspiration “strikes”. So why can’t that be intentional?
When I decide that I am only going to take photos when I “feel like it”, I don’t do much. The details of life, what it takes to get through a day, are not conducive to creativity (and neither is trolling dpreview to see what has been announced at Photokina).
So when I don’t “feel like it”, I have to make a concentrated effort to begin the process of becoming inspired. Looking at it like this, there is really no difference between inspiration and creative block.
Building Blocks
I often struggle to find confidence with photography. I am afraid that if I shoot something similar to what someone else has shot that I have failed because I did not create something that has not been created before.
Or I feel like ‘I don’t have an eye for anything’ right now. I was encouraged the week with something I read by Zach Arias on his blog Ask Me Anything About Photography. It is all about focusing on the fundamentals; I took what he said and ran with it.
Photographing lines seems really basic but it is something that I need to do right now.
This week was a struggle for me to find any sort of photographic inspiration. Waiting until nearly the last minute, I finally forced myself out the door, falling back on “just shoot something”. It almost seems like the cyclist in the foreground is looking for a connection, maybe based on a common interest. But in reality, I am pretty sure she is just trying to figure out what I am pointing my camera at.
One thing I really like about my LX3 is the manual focusing. There is a “focus” button on top to do an auto-focus over-ride which can help make manual focusing faster. But what is even better is an on screen DoF scale. The focus range changes with aperture and focal length to make hyperfocal focusing quick and easy.
I always go back and forth on reprocessing old photos I have taken; time spent revisiting old work is time spent not making something new. However, how many times have you looked back through old photos and discovered something you previously overlooked? Looking back also reminds me of things I tried that didn’t work out, but also things that turned out better than I thought they would.
Or in this case, I can apply what I know about processing now to a photo I really like, but never liked the way it was presented. I don’t spend a lot time going through old photos, but maybe I should.